Alla Severin Roesen s Oljemålningar


Vilja ID Bild  Oljemålningar Från A to Z       Information 
37630 A Splendid Harmony  A Splendid Harmony   mk127 26x37
98190 A Still Life with Grapes  A Still Life with Grapes   oil on canvas Dimensions 14.25 x 12.25 in cyf
3566 Floral Still Life  Floral Still Life  
98251 Fruit and Wine Glass  Fruit and Wine Glass   1860-65 Medium oil on canvas Dimensions 75.88 x 63.82 cm cyf
32008 Nature's Bounty  Nature's Bounty   mk77 c.1857-72 Oil on canvas 36x50in
75964 Still Life with a Basket of Fruit  Still Life with a Basket of Fruit   Medium Oil on canvas Dimensions 30 1/8 x 40 1/8 in. (76.5 x 101.9 cm) cyf
71321 Still Life with Fruit  Still Life with Fruit   between 1858(1858) and 1862(1862) Oil on canvas 101.7 x 127.3 cm (40.04 x 50.12 in)
72428 Still Life with Fruit  Still Life with Fruit   Date between 1858(1858) and 1862(1862) Medium Oil on canvas Dimensions 101.7 X 127.3 cm (40.04 X 50.12 in) cyf
96749 Still Life with Fruit  Still Life with Fruit   1852(1852) Medium oil on canvas Dimensions 34 X 44 in cyf
74920 Still life with Strawberries  Still life with Strawberries   40,6 cm x 50,8 cm cjr
76483 Still life with Strawberries  Still life with Strawberries   Taille : 40,6 cm x 50,8 cm cyf

Severin Roesen
1848-1871 Severin Roesen (ca. 1815-1872) is a painter known for his abundant fruit and flower still lifes and is today recognized as one of the major American still-life painters of the mid-nineteenth century. Born in Cologne, in Germany, he emigrated to the United States in 1848. While Roesen's paintings reveal a meticulous attention to detail in their precise arrangements and close brushwork, his subject matter, even down to specific motifs, did not change throughout his career. Sometimes he made near copies of paintings, but usually he merely rearranged and reassembled stock elements. Numerous items in Fruit and Wine Glass, for example, also appear in other paintings. The footed desert plate full of strawberries is a common motif. The pilsner glass, sometimes accompanied by an open bottle of champagne, is interchangeable with a wine goblet filled with lemonade used elsewhere. The glass is nearly always placed at the lower left edge of the painting; a halved lemon often appears nearby. Branches full of grapes arranged from lower left to upper right provide the composition with a graceful S-curve and subtly lead the viewer's eye over the entire display. Here the composition is balanced by light and dark grapes at either side and filled in by scattered raspberries, cherries, peaches, apples, pears, and apricots. Many of these compositional elements, if not the items depicted, were derived from seventeenth-century Dutch still life paintings by such artists as Jan van Huysem.



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